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Graphic

Explore 745 award-winning designs tagged Graphic on Design OF.

Fck 2020 Calendar

Francesco Fallisi Calendar Graphic

Fck 2020

Fck 2020 is a table calendar for the year 2021. The calendar is produced as a leporello, a long sheet folded into twelve panels. It can be kept flat and browsed like a book, or placed on a desk in the shape of a circle or other forms. Each month carries a short wish for the new year, told through polychrome modernist graphics and minimal illustrations. The intent is to turn the page on a difficult year with humour and imagination. Printing is digital on 240 gram white paper. The folded size is 169 by 240 millimetres.

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Haiyan Smart Home Competition Brand Identity

Ying Gao Brand Identity Graphic

Haiyan Smart Home Competition

Haiyan Smart Home Competition is a brand identity created for a cultural and creative design event held in Haiyan County. The main visual uses a rotating and twisted three-dimensional house form. The shifting shape expresses change and reconstruction in home life brought by smart technology. Technology-inspired colours support the theme. The graphics are built as vector artwork, so they remain clear at any size and twist in different directions across media. Applications include space installations, posters, brooches and cups.

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Primary Residence Type Design

Tianzhen Evleen Huang Type Design Graphic

Primary Residence

Primary Residence is a typeface design that turns minimal architectural forms into letters and numbers, using the three primary colors red, blue and yellow. Each character shows a small part of a building, without a clear entry or exit. Stairs, windows and geometric shapes refer to the Bauhaus movement and to minimalist architecture. The design was also informed by stairs and windows observed in different parts of the world. The sketches were made on paper, based on photographs of real buildings. The aim is to blend the form and the identity of the structure.

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LIV Dach RLP Logo Design

Nikolai Janz Logo Design Graphic

LIV Dach RLP

Liv Dach Rlp is a logo design created for a guild association of roofing crafts in Germany. The mark avoids the roof shapes that appear in most logos of roofing associations and companies. Simple geometric shapes were combined to form a clean and timeless symbol. The logo is scalable and works both as a small favicon and on large billboards. The design supports consistent communication across digital and print media. The simplicity of the symbol makes the association easy to recognize and easy to remember.

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Meet in Arcadia Brand Image Design

Xiaoming Meng Brand Image Design Graphic

Meet in Arcadia

Meet in Arcadia is a brand identity design created for a rural revitalization project in Longtang Village, Guizhou Province, China. The logo is inspired by the Chinese character for beauty. Terraced rice fields are drawn in a minimalist and abstract way. Above the fields, abstract Miao village houses are joined with the strokes of the character, and one stroke becomes a roof. The identity supports rural tourism as the main local industry. The design aims to present local culture and to help villagers take part in brand building.

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Button Blessings Brand Design

Button Blessings Brand Design Graphic

Button Blessings

Merging button design with traditional temple culture, this design infuses modern aesthetics to breathe new life into ancient deities. Each button symbolizes protection, blessings, and faith, making spirituality accessible to younger generations in their daily lives. Through creative packaging and storytelling, these designs serve as both cultural carriers and fashionable expressions, seamlessly integrating tradition with modernity and revitalizing temple culture in contemporary society.

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Espada Selvagem Visual Identity

Pedro Panetto Visual Identity Graphic

Espada Selvagem

Espada Selvagem is a visual identity for a medieval fencing club in Brazil. The design is inspired by the beasts of ancient heraldry, reinterpreted in a modern way. A jaguar was chosen because the animal is native to Brazil and suggests speed, energy and competitiveness. The spots of the jaguar are formed by circles that also create a sense of movement. The drawing follows the proportion of the golden ratio. The symbol is built in vector format, so the identity can be applied to uniforms, patches, books, medals, flags and social media in many sizes.

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Jo Cafe and Restaurant

A4DH Branding Services Cafe and Restaurant Graphic

Jo

Jo, redefines fine dining as a celebration of taste, connection, and shared moments. The brand identity was designed to appeal to an audience, from children to grandparents, while maintaining authenticity and sophistication. Centered on flavor diversity, and emotional connection, the visual identity embraces a modern aesthetic. A green color palette symbolizes nature, growth, and sustainability. Illustrative graphics inspired by food and dining elements enhance storytelling, while a contemporary logotype balances simplicity and adventure. The result is a cohesive experience across touchpoints.

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Craft Without Draft Digital Paper Art

Moataz Mohamed Digital Paper Art Graphic

Craft Without Draft

Craft Without Draft merges digital precision with artistic expression, utilizing Adobe Illustrator and Photoshop to reinterpret traditional origami through modern graphic design. The project presents visually striking compositions that emphasize structure, form, and depth. Bold typography enhances the visual narrative, complementing intricate paper-like aesthetics with strong messaging. By integrating digital tools with meticulous design techniques, the work demonstrates the power of visual storytelling, illustrating how digitally simulated paper folds can evoke emotion.

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Min Shan Nong Ye Brand Identity

Yanjun Yang Brand Identity Graphic

Min Shan Nong Ye

Min Shan Nong Ye is a brand identity created for an agricultural enterprise. The logo is formed with one continuous stroke, suggesting rolling mountains, water ripples and waves of wheat. The mark is also a variant of the letters M and S, the initials of Min Shan, the region where the products originate. Green is used as the main color to reflect fresh and healthy agricultural products. The simple and symbolic form scales easily, so the identity can be applied to digital displays and physical products.

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Who's That Eating Pop Up Picture Book

Keitaro Sugihara Pop Up Picture Book Graphic

Who's That Eating

This interactive pop-up book follows seven animals enjoying their favorite snacks, each with a 3D pop up fold showcasing their distinct eating style. Each pop up was designed with a single page cut out, and a second backing page revealing the inside of each mouth and adding structural integrity. This simple design, combined with paper collage illustrations, brings life to each animal. The text includes eating sounds via Japanese onomatopoeia, encouraging the reader to open and close the pages as the animals munch away.

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Muse Conceptual Exhibtion

Michelle Poon Conceptual Exhibtion Graphic

Muse

Muse is an experimental design project studying the musical perception of the human through three installation experiences which provide different ways to experience music. The first is purely sensational using thermo-active material, and the second display the decoded perception of musical spatiality. The last is a translation between music notation and visual forms. People are encouraged to interact with the installations and explore the music visually with their own perception. The main message is that designers should be aware of how perception affects them in practice.

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