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Design OF featuring great design, architecture, fashion, graphics and innovation from across the globe.

 
Changes and Cycles in Between Digital Art

Changes and Cycles in Between

This work explores the question, What is painting? by expressing the circulation of visual expressions. Inspired by transitions in Mondrian's paintings, it is based on a component diagram of painting, where shape moves between figurative and abstract, and between noise and linearity - an idea applied to color. The work evokes the shifting state of digital materiality, emphasizing that forms in between changes are the essence. By incorporating textures printed with a baren, it reflects the artist's identity as a printmaker in digital form.

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Fun Community Project Visual Design

Fun Community Project

Fun Community Project is the visual identity of a public art event held in Shenzhen. The design uses playful typography, abstract artistic graphics and bright gradient colors. Six abstract graphics refer to the six public art pieces shown at the event. The identity is applied to billboards, printed matter, balloon films, books, artwork introduction boards and scene construction. Clothing, hats and key chains are also produced. The aim is to join art with community life and to invite the public to take part.

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Lalique Wall Calendar

Lalique

Conceptual Calendar for French premium glass manufacture Lalique. Connecting the world of unique handmade glass production by a premium manufacturer and the world that is entirely handmade from paper. To create an amazing imaginary space in which the luxurious world of glass and visual art is combined. Together with perfect printing technology, large format, special effects and surface treatments, they form a breath-taking story that will entertain you all year long.Great attention was paid to every detail and also on extremely precise processing and the top-quality print result.

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Aisling Sans Typeface

Aisling Sans

Aisling sans-serif typeface presents a fresh, modern reinterpretation of classic typographic traditions. Its generously proportioned letterforms strike a delicate balance between contemporary design sensibilities and typographic principles. Defined by subtle curves and distinctive shapes, Aisling has a restrained yet confident character. Prioritizing clarity and legibility, it is a versatile choice for a wide range of applications, from print to digital media, where both visual appeal and functional readability are essential.

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Culture to Technology Identity Placard

Culture to Technology Identity

Culture to Technology Identity is a poster designed for display in bus stop light boxes. In the upper section, the Chinese character for Anhui is framed by the classic contours of Huizhou architecture, recalling the regional history and culture. The character gradually transforms into a circuit, ending in the four Chinese characters for Hefei High Tech. The poster measures 60 by 90 centimeters. The gradient blue tones are printed with spot color overprinting, and the circuit lines are coated with local UV varnish for a raised effect.

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Arrival Training Brand Identity

Arrival Training

Arrival is an online training planner and tracking service for amateur runners. The logotype visually hints at the duality of the wordplay between Arrival and A Rival, through the positive-negative trick of the R letter. The slanted typography adds dynamism and movement to the design. The unique angle of the logotype is reflected across the visual identity, determining the illustration style, the structure of icons, and the layout arrangements.

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Design Interview of the Day

Design Interview of the Day

Read the latest interviews and conversations on design, creativity and innovation between design journalists and world-famous designers, artists and architects. See latest design projects and award-winning designs by famous designers, artists, architects and innovators. Discover new insights on creativity, innovation, arts, design and architecture. Learn about design processes of great designers.

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